The sets are saturated with their singular color schemes (blue for the restaurant's exterior, green for the kitchen, white for the restrooms, and red for the main dining hall), and people who have any sort of artistic training have valued and will continue to value this film as a character study of color.
The film itself is a piece of total art, as others have said. I still listen to the album on a weekly basis - it gets under your skin that way. This film score, composed by the great post-minimalist Michael Nyman, is still one of the most haunting and soul-stirring scores in my opinion, if not the one of the most impressionable bodies of musical work ever. Truthfully, however, I first got into this film after hearing clips of the soundtrack on the Japanese version of Iron Chef, during a time before it was acquired by the Food Network.
First of all, I have to say that this film is one of my personal favorites, and that it is one of those things one must see during his or her lifetime.
0 kommentar(er)
